Paul Weller In Bournmouth!

Paul Weller - Windsor Hall, BIC
10:23am Monday 29th November 2010
By Nick Churchill

THERE are plenty of great performers and a fair few can still cut the mustard deep into middle age, but how many are making music every bit as vital and exciting – perhaps even more so – as they did as teenagers?

Paul Weller is one such. He’s been up and down more times than a window cleaner’s chamois – sometimes hitting a sweet spot, other times missing by a mile, but always reaching just beyond his grasp.

He’s very definitely on an up at the moment. His last two albums, the sprawling 22 Dreams and this year’s pared-down Wake Up the Nation, have found him exercising his passion for a sometimes dizzying range of music.

Sunday night’s set drew on every stage of his career, including Art School from The Jam’s 1977 debut album, The Style Council’s Shout to the Top, an edgy trip hop reading of Wild Wood and a brand new song, That Dangerous Age, which channels The Who’s I Can’t Explain.

But the bulk of the two-hour show comes from his most recent output and, helped by a crisp sound mix, finds room for a Doors-ian excursion on Pieces of a Dream, audacious five-part song suite Trees, the rootsy Sea Spray, the dense psychedelia of 7&3 Is the Striker’s Name and Aim High’s invocation of the spirit of Curtis Mayfield.

Such musical plurality is the result of Weller’s open-hearted pursuit of modernist principles and is vindicated as the initially frosty audience warms to Jam gems like Strange Town, Start! and Pretty Green, but reserves equal enthusiasm for more recent hits No Tears To Cry and Come On/Let’s Go.

A barnstorming Town Called Malice sends us out into the cold night, but get this – what comes next could be even more exciting!

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Paul Weller's Son, Natt Gives A Candid Taxi Interview

Where else to meet the musician son of the agelessly groovy Modfather but at London’s trendy Met Bar? And there’s more than a hint of moody Mod style about the Japanese parka that Paul Weller’s eldest child Natt has slung over his Vivienne Westwood top.

Yet there all similarity ends, for singer-guitarist Natt has inherited the exotic beauty of his mother – former Wham! and Style Council backing singer Dee C Lee – rather than the famously angular features of his father.

‘Everybody always goes, “Luckily he took after his mum…”’ laughs Natt, whose mother is from France and St Lucia and whose great-great grandma was Japanese. Hence Natt’s fascination for Japan, where he moved in 2006 for a year to learn the language.

To pay for his studies, he modelled and deejayed, ‘I felt like an outsized monster,’ confides Natt, 21, a 6ft 1in beanpole. He returned a fan of Japan’s popular culture – from manga cartoons to punk-goth music – and with a different spelling to his name, which now features two ‘…

John Weller Obituary From The Independent...

For thirty years, John Weller managed the career of his son Paul, through the salad days and success of The Jam in the Seventies and early Eighties, the ups and downs of The Style Council and Paul’s re-emergence as a solo artist in the Nineties. Theirs was a unique father-son relationship in the music industry, built on John’s unwavering belief in Paul’s talent and shared values like hard work and pragmatism.

John could be blunt, and once refused to have lunch in a record company’s executive dining room, remarking to the managing director: “I didn’t come here to eat, I came to do business.” But his bark was worse than his bite.

John’s success was all the more remarkable since he started in his forties after years working in factories, on building sites and driving a taxi. When The Jam signed to Polydor in February 1977, for a £6,000 advance and a six per cent royalty rate, John admitted he didn’t have a bank account and asked for cash instead of a cheque. A&R man Chris Parry duly we…

Paul Weller Feature From The Daily Mail!

There's life in the old mod yet: At 50 Paul Weller's still chasing his dreams...
By Adrian Thrills The Daily Mail
Paul Weller has always been a restless soul. When he disbanded The Jam in 1982, even his dad thought he'd taken leave of his senses. And while most of his original peers now make a living by trading on past glories, he is generally reluctant to play old hits. Even when he was garlanded with a Lifetime Achievement Award at the Brits in 2006, he cut an incongruous figure. As pop's bright young things swanned around with their entourages, he could be found strolling about backstage with his children, itching to get on stage before heading home.

If anything, that Brit Award seems to have spurred him to strive even harder, and he marked his recent 50th birthday by topping the charts with 22 Dreams, the most diverse album of his career. 'I didn't want to become one of those people whose best work is behind them once they get to a certain age,' he says o…

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