Skip to main content

Classic Article - "Paul Weller's 12 MUST HAVE albums!"

This ran in the US magazine, "Entertainment Weekly" in 2005.

Paul Weller's 12 MUST HAVE Albums!

1 THE ZOMBIES Odessey & Oracle 1968 (Rhino) ''It was completely unheralded at the time. Every track's great. It's very English, with wistful, autumnal melodies on it. In terms of strength of melody, this has definitely been an influence on me.''

2 STEVIE WONDER Innervisions 1973 (Motown) ''This word genius gets thrown around quite a lot these days, but I think he's worthy of that accolade. He was in full flight around this time.''

3 MARVIN GAYE What's Going On 1971 (Motown) ''I probably heard this at the end of the '70s or early '80s, but it was a real revelation. Marvin is one of my all-time favorite singers.''

4 JOHN COLTRANE A Love Supreme 1964 (Impulse!) ''It was his prayer, really, and it just has a very spiritual sound. Its greatness inspires me.''

5 ALICE COLTRANE Journey in Satchidananda 1970 (Impulse!) ''It follows what [her husband] John was doing toward the end of his life, exploring Eastern scales and North African sounds and the Indian modal thing. A really beautiful record.''

6 BOB MARLEY AND THE WAILERS Soul Rebels 1970 (Trojan) ''There's a certain chemistry Bob Marley had when he worked with Lee Perry. It's got that great raw sound on it, but you can also hear that there was something special going on.''

7 SLY & THE FAMILY STONE Fresh 1973 (Columbia) ''It's one of the first records to experiment with the drum machine. 'If You Want Me to Stay' is a great song.''

8 DONNY HATHAWAY Live 1972 (Atlantic) ''His version of [John Lennon's]'Jealous Guy' is amazing. His voice is brilliant.... He sounds like he's in the song, singing from the inside out.''

9 THE BEACH BOYS Friends 1968 (Capitol) ''I was tempted to put down Pet Sounds, but you always see that on lists. I think this is an underrated album, but it's got lovely tunes like 'Anna Lee, the Healer' and 'Little Bird.'''

10 NICK DRAKE Five Leaves Left 1969 (Universal) ''It's got that quintessential English melancholy feel about it. There's a song called 'River Man,' which is my all-time favorite Nick Drake song—the string arrangement is just fantastic.''

11 THE KINKS The Village Green Preservation Society 1968 (Sanctuary) ''I've been listening to this a lot recently. Ray Davies is such a great writer, and his eye for detail is incredible, really.''

12 CHARLES MINGUS Oh Yeah 1961 (Rhino) ''Apart from being a great musician, he's an amazing composer. He manages to combine church and funk and avant-garde.''



Post a Comment

Popular posts from this blog

Steve White On The Passing of John Weller...

It wasn't unexpected to get the news that John Weller had passed away , it was a beautiful sunny morning in fact , but the news still stung even though the anticipation existed .

I finished work today , a day peppered by texts and calls , I missed the call that mattered but made ammends and spoke to the one person I needed to speak to , I raised a glass at dinner and reminisced with my beautiful partner of days of travel and nights of glory that followed , and after a little to much wine the drowsiness lifted and the harsh reality that someone very special had passed hit me , I wanted to say that , with my emotions bubbling very much to the surface , I wanted to remember those decades and shows and nights that we all spent together , indestructible , laughing and making the music of our dreams , wide eyed vagabonds not quite believing .

I remember the day on arriving back from Sydney, John telling me it was all over and he had enough of "this lark" , that was 24 odd years …

John Weller Obituary From The Independent...

For thirty years, John Weller managed the career of his son Paul, through the salad days and success of The Jam in the Seventies and early Eighties, the ups and downs of The Style Council and Paul’s re-emergence as a solo artist in the Nineties. Theirs was a unique father-son relationship in the music industry, built on John’s unwavering belief in Paul’s talent and shared values like hard work and pragmatism.

John could be blunt, and once refused to have lunch in a record company’s executive dining room, remarking to the managing director: “I didn’t come here to eat, I came to do business.” But his bark was worse than his bite.

John’s success was all the more remarkable since he started in his forties after years working in factories, on building sites and driving a taxi. When The Jam signed to Polydor in February 1977, for a £6,000 advance and a six per cent royalty rate, John admitted he didn’t have a bank account and asked for cash instead of a cheque. A&R man Chris Parry duly we…

Paul Weller's Son, Natt Gives A Candid Taxi Interview

Where else to meet the musician son of the agelessly groovy Modfather but at London’s trendy Met Bar? And there’s more than a hint of moody Mod style about the Japanese parka that Paul Weller’s eldest child Natt has slung over his Vivienne Westwood top.

Yet there all similarity ends, for singer-guitarist Natt has inherited the exotic beauty of his mother – former Wham! and Style Council backing singer Dee C Lee – rather than the famously angular features of his father.

‘Everybody always goes, “Luckily he took after his mum…”’ laughs Natt, whose mother is from France and St Lucia and whose great-great grandma was Japanese. Hence Natt’s fascination for Japan, where he moved in 2006 for a year to learn the language.

To pay for his studies, he modelled and deejayed, ‘I felt like an outsized monster,’ confides Natt, 21, a 6ft 1in beanpole. He returned a fan of Japan’s popular culture – from manga cartoons to punk-goth music – and with a different spelling to his name, which now features two ‘…